Wallas en la postproducción de audio: el detalle invisible que define la narrativa En la postproducción de audio, solemos hablar mucho de diálogos principales, ADR o diseño sonoro. Sin embargo, hay un elemento que suele pasar desapercibido para el espectador, pero que resulta fundam...
The plugin doesn’t solve everything. El único plugin que realmente necesitas en postproducción de audio Today we have more plugins than ever. Emulaciones vintage, suites completas, inteligencia artificial que limpia diálogos con un clic,... Antes del Bounce Mezcla Roberto Reynoso
From Stereo to Immersive For several years, I’ve worked on adapting stereo mixes to 5.1, and now it’s becoming increasingly common to bring them into Dolby Atmos. At first, I thought it would be simple: more channels, more sp... 5.1 Dolby Atmos Mezcla Notas de Audio Roberto Reynoso
My Minimal Template for Large Sessions Organizing a session shouldn’t be an act of obsession, but of strategy. After years of editing and mixing narrative content (series, film, advertising), I realized that a well-designed minimal templat... Notas de Audio Planeación Pre Producción Roberto Reynoso
How to Know When a Mix Is Done? How to Know When a Mix Is Ready (and Stop Tweaking It) I’ve been there. With the session open at 2:47 a.m., asking myself if that de-esser is right, if the room tone is too clean, if the scene needs m... Antes del Bounce Mezcla Roberto Reynoso